Angel joined American Ballet Theatre in 1995 and quickly rose to the rank of principal dancer. Throughout his 17-year career with them, he excelled in a wide range of repertory, performing such iconic roles as Prince Siegfried in Swan Lake, Romeo in Romeo and Juliet, and the Nutcracker Prince in The Nutcracker. He has also appeared as a guest artist with the Royal Ballet in London, the Kirov Ballet in Russia, and New York City Ballet. As well, Angel has received numerous awards, including 1st prize in the National Ballet Competition in Spain (1991), the Prix Benois de la Danse (2000), and the National Award of Spain (2003). He has danced for Queen Elizabeth II, Queen Sophia of Spain, and for Presidents Bill Clinton, George W. Bush, and Barack Obama.

Angel’s onstage passion and talents have translated to his behind-the-scenes career as well. From 2008 to 2014, he served as director for his own company, the Barcelona Ballet (formerly the Corella Ballet), in his native Spain, where he is regarded as a national treasure. His was the first classical ballet company established in the country in 20 years. And while Angel retired from American Ballet Theater in June 2012, he continued to dance with his own company.

A passionate teacher and mentor to young professional dancers, Angel has taught at various summer programs as well as leading dance schools, including the Royal Ballet School in London. He now applies that same passion, verve, and balletic insight to the dancers of Philadelphia Ballet.

Born in Yerevan, Armenia, Karapetyan received his training at the Armenian School of Ballet and the Schweizerische Ballettberufsschule in Zurich, Switzerland. His extensive experience includes 12 years as a principal dancer with the San Francisco Ballet, and six as a soloist with the Zurich Ballet. Karapetyan served on the jury for Prix de Lausanne in 2018, and has been a guest teacher with San Francisco Ballet, Boston Ballet, Philadelphia Ballet and more.

Davit has performed principal roles in Helgi Tomasson’s 2004 Nutcracker (Nutcracker Prince and King of Snow), Christopher Wheeldon’s Cinderella (Prince Gillaume), John Cranko’s Onegin (Onegin), among others, and created principal roles in Helgi Tomasson’s On a Theme of Paganini, Caprice, and On Common Ground.

“Throughout his career, Davit has continually distinguished himself both as a performer and a teacher of ballet’s next generation. His wide range of experience, depth of knowledge, and passion for ballet education make him the ideal candidate to lead the School boldly into the future.” – Philadelphia Ballet Artistic Director Angel Corella.

Ms. Bowman joined Pennsylvania Ballet (now Philadelphia Ballet) in August of 2001, where she danced for fifteen seasons before retiring in June of 2016. Her versatility afforded her opportunities to perform featured roles in both classical and contemporary works; including Angel Corella’s Don Quixote, George Balanchine’s A Midsummer Night’s Dream and The Four Temperaments, William Forsythe’s Vertiginous Thrill of Exactitude and In the Middle, Somewhat Elevated, Agnes de Mille’s Rodeo, Jerome Robbins’ N.Y. Export: Opus Jazz, Christopher Wheeldon’s Swan Lake, Paul Taylor’s Company B, Peter Martins’ Barber Violin Concerto, Twyla Tharp’s Nine Sinatra Songs, and Matthew Neenan’s Penumbra, among others. In addition to her work with Pennsylvania Ballet, Ms. Bowman performed with Carolina Ballet and BalletX, and, in 2010, was cast in the Academy Award-nominated film Black Swan. She has performed in the International Ballet Festival of Miami, the Edinburgh Festival, Jacob’s Pillow Dance Festival, and the Vail International Dance Festival.

Ms. Bowman fell in love with teaching early in her professional career; sharing her knowledge and passion with students and schools along the east coast since 2003. In 2012, she was selected as an inaugural instructor with the re-established School of Pennsylvania Ballet, now known as School of Philadelphia Ballet. In addition to her years of dedication to the School, Ms. Bowman has also held the position of Senior Lecturer with the School of Dance at the University of the Arts. Ms. Bowman resides in Philadelphia with her husband and two beautiful sons.

Families have the option of paying their fees in full or in three (3) equal installments. Select your payment schedule when registering for the program.

Paying in Full:
Payments in full can be made by credit card or check. Families paying in full by March 1, 2025, receive a 5% discount on tuition payments.

Paying in Installments:
Upon Registration: One-Time Registration Fee; 1st Tuition Installment; 1st Housing Fee (as applicable)
March 15, 2025: 2nd Tuition Installment; 2nd Housing Installment (as applicable)
April 15, 2025: 3rd Tuition Installment; 3rd Housing Installment (as applicable)

Registered students who need to withdraw due to injury must submit a letter of explanation from a licensed physician. At that time, School of Philadelphia Ballet will consider refunds towards tuition fees only. All other fees are non-refundable and non-transferable. Should a student withdraw without recommendation from a licensed physician, all paid fees will be forfeited to SPB. School of Philadelphia Ballet is not liable or obligated in any way to process refunds or issue any tuition credits. Refunds or tuition credits will not be given for classes missed due to illness, injury, vacation, or weather.