Carmen and Boléro
In this timeless tale of passion and peril, the seductive Carmen captures the hearts of two men, igniting a love triangle that spirals towards tragedy. Philadelphia Ballet’s Carmen—choreographed by The Ruth and A. Morris Williams, Jr. Artistic Director Angel Corella—is a raw and riveting exploration of desire, freedom, and betrayal, brought to life through the power and intensity of the dancers, and set to Georges Bizet’s iconic operatic score.
Joining Carmen is Boléro, choreographed by The Ruth and A. Morris Williams, Jr. Artistic Director Angel Corella to the beloved music of Maurice Ravel. This ballet’s daring feats of athleticism entrance audiences with deliberate, percussive movements that build in a performance-long crescendo.
Runtime:
1 hour & 43 minutes, including 2 intermissions
Performances By Date
*Gala Performance
Single Tickets On Sale June 2, 2025
Angel Corella is regarded as one of the finest dancers of his generation. His talent, passion, and technique have brought him worldwide acclaim and established him as one of the most recognizable names in dance. Angel was appointed Artistic Director of Philadelphia Ballet beginning with the 2014/2015 season.
Georges Bizet was a French Romantic composer who is best remembered for his final work, the great and ever-popular opera, Carmen. Although Bizet won the coveted Prix de Rome when he was just nineteen, he received only moderate acclaim for his compositions during his lifetime. Fortunately, a number of Bizet’s pieces are performed frequently today, including arias from The Pearl Fishers (opera), incidental music for L’Arlesienne, and the Symphony in C, which had been moldering in the Paris Conservatory library for 78 years before it was rediscovered.
Maurice Ravel was a French composer, probably best known for his orchestral work, Bolero. He is also well known for his famous 1922 arrangement of Pictures at an Exhibition. He was born in 1875 in Ciboure, France (near Biarritz, part of the French Basque region, bordering on Spain). His mother was Basque while his father was a Swiss inventor and industrialist. His parents encouraged his musical pursuits and sent him to the Conservatoire de Paris. During his schooling in Paris, Ravel joined with a number of innovative young composers who referred to themselves as the “Apaches” because of their wild abandon. He studied music at the Conservatoire de Paris in Paris, under Gabriel Fauré. He was also heavily influenced by Debussy’s impressionist style. Ravel was also highly influenced from music around the world including American Jazz, Asian music, and traditional folk songs from across Europe. Ravel was not religious and was probably an atheist. He disliked the overtly religious themes of other composers, such as Wagner, and instead preferred to look to classical mythology for inspiration. During the First World War, Ravel was not allowed to enlist because of his age and weak health and instead became an ambulance driver. In 1932 Ravel was involved in an automobile accident that severely reduced his health. In 1937, he had an operation that he hoped would restore much of his health, but the operation was a failure and he died soon afterwards. When American composer George Gershwin met Ravel, he mentioned that he would have liked to study with the French composer if that were possible. The Frenchman retorted, “Why should you be a second-rate Ravel when you can be a first-rate Gershwin?” Stravinsky once referred to Ravel as the “Swiss Watchmaker”, a reference to the intricacy and precision of Ravel’s works.